Note that UCW Structural notes are out of date
[clinton/website/src/unknownlamer.org.git] / Music I Enjoy.muse
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8a7c1bf7 1I have a [[http://www.last.fm/user/unknown_lamer/][last.fm]] account.
2
3* The Bands I Like the Most
4** Skyclad
5
6Skyclad is incredible folk metal. The first two albums (*Wayward Sons
7of Mother Earth* and *Burnt Offerings for the Bone Idol*) are Testament
8style thrash with a bit of fiddle and keys. The third album, *Jonah's
9Ark*, blunts the edge of the guitars and adds a lot more fiddle and is
10really where the band goes from making good to incredible
11music.
12
13*Prince of the Poverty Line* is about as 'heavy' as the first two
14albums, but the the song structures are far more worked out and there
15is an interesting infusion of folk and power metal into the sound. The
16songs are mostly scathing social critiques of the state of society at
17the time. The follow up, *Silent Whales of Lunar Sea*, is a decent album
18but is scarred by terrible recording quality and mixing. It has
19listenable songs (with "The Present Imperfect" and "Another Fine Mess"
20standing out), and the only really noteable aspect is the slight
21change toward a much less thrashy riff structure.
22
23*Irrational Anthems* more than made up for *Silent Whales of Lunar
24Sea*. The less thrashy and slightly more punkish riffing structure
25takes over here and the songs are all fast paced with guitar and
26fiddle duels taking place often
27
28The next two albums see the electric guitar deemphasized and the band
29making something more like heavy rock than heavy metal. The EP *Oui
30Avante Garde a Chance* starts out with a fast paced fiddle oriented
31song, moves into a nearly entirely fiddle and acoustic guitar song,
32and then goes into a few slow songs dominated by keys and fiddle. The
33albums picks up in intensity with *Bombjour*, and then has an acoustic
34version of a song from the previous album. The new material ends with
35the slow and intense *Badtime Story*. A couple of covers and an
36instrumental version of a song follow to pad the EP to album length.
37
38*The Answer Machine?* is my favorite album in my entire collection. Most
39of the songs have a fuzzy electric guitar and an acoustic guitar going
40at the same time, and the album is music that I have found is
41listenable to people who don't like metal. The fiddle, violin, and
42piano dominate and are backed by interesting bass and just the right
43amount of guitar. The album is a pseudo-concept album; each song is
44about a different quest for the answer to life.
45
46The last two Skyclad album with Martin Walkyier (the original singer)
47see a two step return to a more metal style, but this time something
48resembling *Powerslave* era Maiden with heavy folk overtones rather than
49Testament. Both albums lack any weak songs, and have a few that are
50among the best Skyclad has ever done: "Cancer of the Heart," "A Well
51Beside the River," and "Vintage Whine" on *Vintage Whine*, and "The
52Antibody Politic," "The Disenchanted Forest," and "Think Back and Lie
53of England" on *Folkemon*.
54
55Alas, after *Folkemon* Martin left, and the band seems to have lost its
56magic. It is much like At the Gates; the core members meshed quite
57well together and lost some magical chemistry upon a major component
58leaving. Skyclad's first album with the new singer was ok, and perhaps
59the next one will be better. Sadly Martin Walkyier decided to abandon
60music forever.
61
62** Kevin Moore
63Kevin Moore is the first keyboardist of Dream Theater who left after
64*Awake*. His work since then has surpassed the quality of everything
65Dream Theater has produced since then for he posesses a unique
66songwriting style and wonderful artistic ability.
67
68*** Chroma Key
69
70Chroma Key is Kevin Moore's primary project. It is mostly electronic
71and fairly mellow.
72
73*** OSI
74
75OSI was originally a collaboration between Kevin Moore, Jim Matheos
76(guitarist of Fates Warning), Mike Portnoy (drummer of Dream Theater),
77and a few other prog rock/metal people. The first album, *Office of
78Strategic Influence* was a moderately heavy and good album that sounded
79quite similar to *Disconnected* Fates Warning with Kevin Moore on vocals
80and complicated drumming.
81
82*Free* followed three years later and is completely different from the
83first. This time the album was done with Kevin Moore and Jim Matheos
84alone, and it finds a much nicer balance between keyboard and
85guitar. The first OSI sounded too much like Fates Warning with more
86ambient keyboarding; this one has a sound of its own. My ears have
87heard this album many times, and will listen again many more.